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Dead Man Supported by an Angel, I, 2018

Dead Man Supported by an Angel, I, 2018

A Photographic Negative…, July 2017–January 2018, 2017-2018

A Photographic Negative…, July 2017–January 2018, 2017-2018

time-based text work (6 months) 59,4 x 42 cm (paper size); 66 x 49 cm (frame size)

Resolution Work (Contortionist), 2018

Resolution Work (Contortionist), 2018

Une porte doit être ouverte ou non fermée, 2017

Une porte doit être ouverte ou non fermée, 2017

Memories of a Bird (Newspapers), I, 2017

Memories of a Bird (Newspapers), I, 2017

“Avant” se trouve après “après”, 2016

“Avant” se trouve après “après”, 2016

Giovanni Drogo’s Surreal Delay (Pulsar CP1919), I-IV, 2016

Giovanni Drogo’s Surreal Delay (Pulsar CP1919), I-IV, 2016

Plateau (Antiméridien/Postméridien), 2016

Plateau (Antiméridien/Postméridien), 2016

Beginning/Conclusion, 2016

Beginning/Conclusion, 2016

“Hier” est postérieur à “aujourd’hui”, 2016

“Hier” est postérieur à “aujourd’hui”, 2016

Pulleys (Newspapers, Jan.–May 2016), I

Pulleys (Newspapers, Jan.–May 2016), I

Mapping/Erasing, 2016

Mapping/Erasing, 2016

Pulleys, I, 2016

Pulleys, I, 2016

Mirror of the Sea (African Mask (Dogon)/Fi: Black Paint Can), II, 2016

Mirror of the Sea (African Mask (Dogon)/Fi: Black Paint Can), II, 2016

The Supposed Half of Yesterday, 2016

The Supposed Half of Yesterday, 2016

The Supposed Half of a Day, 2016

The Supposed Half of a Day, 2016

We Hunt, We Kill, May-Oct. 2016, 2016

We Hunt, We Kill, May-Oct. 2016, 2016

To Connect The Next Set of Dots, November 2015-May 2016, 2015-16

To Connect The Next Set of Dots, November 2015-May 2016, 2015-16

Half-Empty Glass, 2015

Half-Empty Glass, 2015

Half-Full Glass, 2015

Half-Full Glass, 2015

Mirror of the Sea (Hangzhou I & II), 2015

Mirror of the Sea (Hangzhou I & II), 2015

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