Expire (Comedian With a Serious Side Aspires to Predict the Future), 2023
Two bulbs with base, electric cables, switchblade, faucet, cardboard-box, Harlequin masking tape,
Neapolitan card game set.
installation view, Workroom of the Kerenidis Pepe Collection, Paris, Sept./Oct 2023
"Don't Shot the Messenger", 2023
installation view, Workroom of the Kerenidis Pepe Collection,
Paris, Sept./Oct 2023
Ambiguities/Affirmations
Installation view: Saint-Martin Bookshope/Project room, Bruxelles
Solo show, 14 April – 13 May 2023
Rhinocéros/Bérenger
installation view, Kestner Gesellschaft, Hannover
Solo show, 26 February – 22 May 2022
Rhinocéros/Bérenger
installation view, Kestner Gesellschaft, Hannover
Solo show, 26 February – 22 May 2022
A Clear Scraped Mirror (La normalité ; Le psychopathe ; Le miroir), 2022
sculpture on wall
Individu, Foule, February—October 2019, 2019
time-based text work
Persona (Chair/Megaphone), 2020
installation, two aluminum casts, glass, audio work, motion detector
Installation view: Kunstmuseum Luzern
Memories of a Bird (Rear View Mirror), II, 2020
installation, Bronze casting, six silk ribbons in various colors, one string, rear view mirror mounted on wall, pencil on wall
Installation view: Kunstmuseum Luzern
Memories of a Bird (Rear View Mirror), II, 2020
installation, Bronze casting, six silk ribbons in various colors, one string,
rear view mirror mounted on wall, pencil on wall
(detail)
Rhinocéros/Bérenger, 2018
diptych, two color photographs
Half-Full Glass / Half-Empty Glass, 2015/2020
Script Work
Two chairs, two glasses, water, string, two captions on wall
Expire (Josef K.'s Relation Diagram to 17 of the Characters in 'The Trial'), 2019
wall sculpture
Vittorio Santoro "Oevres sur papier, 2008-2019"
Installation view: Yvon Lambert, Project Room, Paris 2019
Vittorio Santoro "Oevres sur papier, 2008-2019"
Installation view: Yvon Lambert, Project Room, Paris 2019
In/Voluntary Movement Diagram (Josef K./Steps), 2018
Three Attempts to Leave the Room (Distance from the Chair by the Table to the Door), 2019
sculpture
Installation view: Studio, London
I Was/But I am (Anafi Version), 2019
a real-time activity
performed by Chiara Vecchiarelli and Macklin Kowal
at Phenomenon 3, Biennial of Contemporary Art, Anafi (Greece), 2019
Vittorio Santoro "Pulleys, I & The Supposed Half of a Day &...". Installation view: Cortex Athletico, Paris 2016
« Avant » se trouve après « après », 2016
sculpture mounted transversally on wall
Vittorio Santoro "Pulleys, I &The Supposed Half of a Day &...", Installation view: Cortex Athletico, Paris 2016
Beginning/Conclusion, 2016
sculpture
Giovanni Drogo's Surreal Delay (Pulsar CP1919), I-IV, 2016
four black and white photographs
Plateau (Antiméridien/Postméridien), 2016
sculpture
A Concrete Aeroplane (Six Studies on an Unwritten Novel by Jeff Torrington), 2008
6 collages
Vittorio Santoro "Le hibou tourne la tête pour regarder ailleurs"
Installation view: Fondation d'Entreprise Ricard, Paris 2012
"Le hibou tourne la tête pour regarder ailleurs", solo show
Installation view: Fondation d'Entreprise Ricard, Paris 2012
The World was Full of Objects and Events and Sounds that are Known to be Real..., II, 2014
21 Collages
Gagarin II (Sphinx/31 January 1962), 2012
floor sculpture
Mirror of the Sea (Hangzhou I); Mirror of the Sea (Hangzhou II), 2015
Vittorio Santoro "108 Minutes a Day (Gagarin)"
Installation view, Museum of Contemporary Art, Shanghai, 2015
Dropping a Large Sheet of Glass from Shoulder Height, 2012
16'14''
HD video transferred to Blu-Ray Disc
Dropping a Large Sheet of Glass from Shoulder Height, 2012
16'14''
HD video transferred to Blu-Ray Disc
Dropping a Large Sheet of Glass from Shoulder Height, 2012
16'14''
HD video transferred to Blu-Ray Disc
Dropping a Large Sheet of Glass from Shoulder Height, 2012
16'14''
HD video transferred to Blu-Ray Disc
7 Erased Contributions (Lawrence W.), 2011
script work
Installation view: Rosascape, Paris 2011
How Could 'Godot' End?, II (Spinning Top/Toupie), 2012
script work
Pulleys, I, 2014
sculptural situation
Installation view (Scupture/Sculpture) solo show: Kunstmuseum Luzern
Si je me taisais, je n'entendrais plus rien. Mais si je me taisais, les autres bruits reprendraient, 2013
Letters to People (Silence Destroys Consequences), 2010-11 (detail)
script work
"Correspondances–Mail Art". Installation view: Espace culturel Louis Vuitton, Paris, 2013
Silence Destroys Consequences, 2012 (detail)
artist book with vinyl record
published by Yvon Lambert, Paris
Silence Destroys Consequences, 2012 (detail)
artist book with vinyl record
Silence Destroys Consequences, 2012 (detail)
artist book with vinyl record
Four Speakers' Corners, I
( I Will Make Bets I Can't Loose / You Will Bet on Something You Can't Lose /
They Will Make Us Bet on Something We Can't Lose / We Make Bets We Can't Lose), 2014 (detail)
Installation of four framed photo booth stripes, each on one of the four walls of an enclosed space; grey tape on the floor
F. Dostoyevsky: C. and P., Page 67 (Penguin Popular Classics), Divided Vertically, 2007/2011
sculptural situation
In/Voluntary Movement Diagram (Josef K.), 2013-14
sculptural situation
Installation view: Counter Space, Zurich 2014
Une certaine idée de l'histoire de mon père, I-IV, 2013 (detail)
a four-part sculptural situation
Installation view: Basel 2013
Une certaine idée de l'histoire de mon père, I-IV, 2013 (detail)
a four-part sculptural situation
Installation view: Basel 2013
Monologism as Poetry , 2009
large neon installation
installed at firewall Zimmerstrasse 88-89 corner Friedrichstrasse, Berlin 2009-2010
Untitled (P.P.P.), 2013-14
wall installation
This Impact Leads Into..., March—August 2011 (Origami/Sphinx), 2011
time-based text work
Searching For (A Day and Night in Amsterdam), II, 2012-13
slides projection with 21 images
Searching For (A Day and Night in Amsterdam), II, 2012-13
slides projection with 21 images
Searching For (A Day and Night in Amsterdam), II, 2012-13
slides projection with 21 images
Four Newspaper Front-Pages, 2014
sculpture
Installation view: Galerie Jèrôme Poggi, Paris 2014
Untitled (Mask), 2007
sculptural situation
Installation view: Kunsthaus Zurich, 2008
You Are Still Here (Assisted Version), 2008
audio installation and two pedestal fans, each inside a window
Vittorio Santoro "Three Attempts to Avoid the Inevitable".
Installation view: Les Complices, Zurich, 2008
Man Leaving Harbour on a Ship (in a Room), 2010
sleeve with vinyl record
Man Leaving Harbour on a Ship (in a Room), 2010
room and audio installation
Vittorio Santoro "Man Leaving Harbour in a Ship (in a Room)". Installation view: La BF15, Lyon, 2010
Dead Man Supported by an Angel, I-XIII, 2018-2019 (detail)
13 painted panels, each with a different colour, image scratched with a nail
Whether It, 2012
neon installation
Vittorio Santoro " C'ètait le contraire d'un voyage". Installation view: Galerie Jèrôme Poggi, Paris 2012
The Distracted Citizen/Persuasion Architecture, January—March 2019, 2019
time-based text work
An/Ästhesie, Part I, 2004-05
large neon installation
Installation view: Messe Berlin building, Berlin 2005
Untitled (Perceptible Erosion), 2005-06
large neon installation on the facade of the CAPC, Musée d'art contemporain, Bordeaux
(permanent installation)
Resolution Work (Contortionist), 2018
engraved brass plate
A Game of Mental Chess (Raskolnikov/Porfiry Petrovich) (Paillard Version), 2013
sculpture
Vittorio santoro "Defamiliarizing Tactics". Installation view: Paillard Centre d'art contemporain,
Poncé-sur-le-Loir, 2013
Pulleys (Newspapers, Jan.—May 2016), 2016
photo work
Installation view: Counter Space, Zurich 2016
Plate (Kids), 2001
photo work
Vittorio Santoro "Une porte doit être ouverte ou non fermée", Installation
sculptural situation
Installation view: Centre Pompidou, Paris, (as part of Prix Marcel Duchamp 2017)
Today I Haven't Done Anything to Avoid the Inevitable (How Someone), 2017
a group of 10 flags
Vittorio Santoro "Une porte doit être ouverte ou non fermée"
Installation view: Centre Pompidou, Paris (as part of Prix Marcel Duchamp 2017)
Today I Haven't Done Anything to Avoid the Inevitable (A Time When....), 2017
a group of 10 flags
Vittorio Santoro "Une porte doit être ouverte ou non fermée":
Installation view at 16, Av. Sainte Foy, Neuilly-sur-Seine (as part of Prix Marcel Duchamp 2017)
Today I Haven't Done Anything to Avoid the Inevitable (Tomorrow There IS), 2017
a group of 10 flags
Vittorio Santoro "Une porte doit être ouverte ou non fermée":
Installation view at 15, rue Eugène Carrière, Paris
(as part of Prix Marcel Duchamp 2017)
How Can I/Make It Right, March–August 2005, 2005
time-based text work
Vittorio Santoro "Everthing's Not Lost" Installation view: Kunstmuseum Thun, 2006
How Can I/Make It Right, March–August 2005, 2005
time-based text work
