Rhinocéros/Bérenger, 2018
diptych, two color photographs

Expire (Josef K.'s Relation Diagram to 17 of the Characters in 'The Trial'), 2019
wall sculpture

Vittorio Santoro "Oevres sur papier, 2008-2019"
Installation view: Yvon Lambert, Project Room, Paris 2019

Vittorio Santoro "Oevres sur papier, 2008-2019"
Installation view: Yvon Lambert, Project Room, Paris 2019

In/Voluntary Movement Diagram (Josef K./Steps), 2018

Mapping/Erasing (Text on Blackboard) (Anafi Version), 2018/2019
real-time activity
performed by Myrto Katsimicha, Liam Murtaugh and Vittorio Santoro
at Phenomenon 3, Biennial of Contemporary Art, Anafi (Greece), 2019

Mapping/Erasing (Text on Blackboard) (Anafi Version), 2018/2019
real-time activity
performed by Myrto Katsimicha, Liam Murtaugh and Vittorio Santoro
at Phenomenon 3, Biennial of Contemporary Art, Anafi (Greece), 2019

Three Attempts to Leave the Room (Distance from the Chair by the Table to the Door), 2019
sculpture
Installation view: Studio, London

Confinement Drawings, 2020

Confinement Drawing_Nr. 2, 2020

I Was/But I am (Anafi Version), 2019
real-time activity
performed by Chiara Vecchiarelli and Macklin Kowal
at Phenomenon 3, Biennial of Contemporary Art, Anafi (Greece), 2019

I Was/But I am (Cascais Version), 2019
real-time activity
performed by Beatriz Batarda and Romeu Runa in Cascais (PT) in April 2019; Organized by AiR351, Cascais
and ArtWorks, Porto. Pavillons designed by Clanet&Prito Architects, Porto

I Was/But I am (Cascais Version), 2019
real-time activity
performed by Beatriz Batarda and Romeu Runa in Cascais (PT) in April 2019; Organized by AiR351, Cascais
and ArtWorks, Porto. Pavillons designed by Clanet&Prito Architects, Porto

Vittorio Santoro "Pulleys, I & The Supposed Half of a Day &...". Installation view: Cortex Athletico, Paris 2016

« Avant » se trouve après « après », 2016
sculpture

Vittorio Santoro "Pulleys, I &The Supposed Half of a Day &...", Installation view: Cortex Athletico, Paris 2016

Beginning/Conclusion, 2016
sculpture

Giovanni Drogo's Surreal Delay (Pulsar CP1919), I-IV, 2016
four black and white photographs

Plateau (Antiméridien/Postméridien), 2016
sculpture

A Concrete Aeroplane (Six Studies on an Unwritten Novel by Jeff Torrington), 2008
6 collages

Vittorio Santoro "Le hibou tourne la tête pour regarder ailleurs"
Installation view: Fondation d'Entreprise Ricard, Paris 2012

Individu, Foule, February—October 2019, 2019
time-based text work

Memories of a Bird (Newspapers), I, 2017
bronze sculpture

Memories of a Bird (Newspapers), I, 2017 (detail)
bronze sculpture

Gagarin I (Impenetrable Corner/108 Minutes a Day), 2012
wall installation

Vittorio Santoro "Le hibou tourne la tête pour regarder ailleurs"
Installation view: Fondation d'Entreprise Ricard, Paris 2012

The World was Full of Objects and Events and Sounds that are Known to be Real..., 2011
20 collages

The World was Full of Objects and Events and Sounds that are Known to be Real..., 2011 (detail)
20 collages

The World was Full of Objects and Events and Sounds that are Known to be Real..., II, 2014
21 Collages

Gagarin II (Sphinx/31 January 1962), 2012
floor sculpture

Across the River and into the Trees (The World Nobody Killed), 2019 (recto)
brass plaque on tree
as part of Phenomenon 3, Biennial of Contemporary Art, Anafi (Greece), 2019

Across the River and into the Trees (The World Nobody Killed), 2019 (verso)
brass plaque on tree
as part of Phenomenon 3, Biennial of Contemporary Art, Anafi (Greece), 2019

Mirror of the Sea (Hangzhou I); Mirror of the Sea (Hangzhou II), 2015
Vittorio Santoro "108 Minutes a Day (Gagarin)"
Installation view, Museum of Contemporary Art, Shanghai, 2015

Dropping a Large Sheet of Glass from Shoulder Height, 2012
16'14''
HD video transferred to Blu-Ray Disc

Dropping a Large Sheet of Glass from Shoulder Height, 2012
16'14''
HD video transferred to Blu-Ray Disc

Dropping a Large Sheet of Glass from Shoulder Height, 2012
16'14''
HD video transferred to Blu-Ray Disc

Dropping a Large Sheet of Glass from Shoulder Height, 2012
16'14''
HD video transferred to Blu-Ray Disc

7 Erased Contributions (Lawrence W.), 2011
script work
Installation view: Rosascape, Paris 2011

How Could 'Godot' End?, II (Spinning Top/Toupie), 2012
script work

Si je me taisais, je n'entendrais plus rien. Mais si je me taisais, les autres bruits reprendraient, 2013

Letters to People (Silence Destroys Consequences), 2010-11 (detail)
script work
"Correspondances–Mail Art". Installation view: Espace culturel Louis Vuitton, Paris, 2013

Silence Destroys Consequences, 2012 (detail)
artist book with vinyl record
published by Yvon Lambert, Paris

Silence Destroys Consequences, 2012 (detail)
artist book with vinyl record

Silence Destroys Consequences, 2012 (detail)
artist book with vinyl record

Poète Publc, 2014
sculptural situation
Installation view: Galerie Jèrôme Poggi, Paris 2014

Four Speakers' Corners, I
( I Will Make Bets I Can't Loose / You Will Bet on Something You Can't Lose /
They Will Make Us Bet on Something We Can't Lose / We Make Bets We Can't Lose), 2014 (detail)
Installation of four framed photo booth stripes, each on one of the four walls of an enclosed space; grey tape on the floor

F. Dostoyevsky: C. and P., Page 67 (Penguin Popular Classics), Divided Vertically, 2007/2011
sculptural situation

In/Voluntary Movement Diagram (Josef K.), 2013-14
sculptural situation
Installation view: Counter Space, Zurich 2014

Une certaine idée de l'histoire de mon père, I-IV, 2013 (detail)
a four-part sculptural situation
Installation view: Basel 2013

Une certaine idée de l'histoire de mon père, I-IV, 2013 (detail)
a four-part sculptural situation
Installation view: Basel 2013

Une certaine idée de l'histoire de mon père, I-IV, 2013 (detail)
a four-part sculptural situation
"Europa–Die Zukunft der Geschichte". Installation view: Kunsthaus Zurich, 2015

Monologism as Poetry , 2009
large neon installation
installed at firewall Zimmerstrasse 88-89 corner Friedrichstrasse, Berlin 2009-2010

Untitled (P.P.P.), 2013-14
wall installation

This Impact Leads Into..., March—August 2011 (Origami/Sphinx), 2011
time-based text work

Searching For (A Day and Night in Amsterdam), II, 2012-13
slides projection with 21 images

Searching For (A Day and Night in Amsterdam), II, 2012-13
slides projection with 21 images

Searching For (A Day and Night in Amsterdam), II, 2012-13
slides projection with 21 images

Four Newspaper Front-Pages, 2014
sculpture
Installation view: Galerie Jèrôme Poggi, Paris 2014

Untitled (Mask), 2007
sculptural situation
Installation view: Kunsthaus Zurich, 2008

You Are Still Here (Assisted Version), 2008
audio installation and two pedestal fans, each inside a window
Vittorio Santoro "Three Attempts to Avoid the Inevitable".
Installation view: Les Complices, Zurich, 2008

Man Leaving Harbour on a Ship (in a Room), 2010
sleeve with vinyl record

Man Leaving Harbour on a Ship (in a Room), 2010
room and audio installation
Vittorio Santoro "Man Leaving Harbour in a Ship (in a Room)". Installation view: La BF15, Lyon, 2010

Pulleys, I, 2014
sculptural situation
installation view: Phenomenon 3, Biennial of Contemporary Art, Anafi (Greece), 2019

Dead Man Supported by an Angel, I-XIII, 2018-2019 (detail)
13 painted panels, each with a different colour, image scratched with a nail

Dead Man Supported by an Angel, I-XIII, 2018-2019 (detail)
13 painted panels, each with a different colour, image scratched with a nail

Whether It, 2012
neon installation
Vittorio Santoro " C'ètait le contraire d'un voyage". Installation view: Galerie Jèrôme Poggi, Paris 2012

The Distracted Citizen/Persuasion Architecture, January—March 2019, 2019
time-based text work

An/Ästhesie, Part I, 2004-05
large neon installation
Installation view: Messe Berlin building, Berlin 2005

Untitled (Perceptible Erosion), 2005-06
large neon installation on the facade of the CAPC, Musée d'art contemporain, Bordeaux
(permanent installation)

Visionaries&Voyeurs, II, 2009
8'43''
HD video transferred to Blu-Ray Disc

Visionaries&Voyeurs, II, 2009
8'43''
HD video transferred to Blu-Ray Disc

Visionaries&Voyeurs, II, 2009
8'43''
HD video transferred to Blu-Ray Disc

Resolution Work (Contortionist), 2018
engraved brass plate

A Game of Mental Chess (Raskolnikov/Porfiry Petrovich) (Paillard Version), 2013
sculpture
Vittorio santoro "Defamiliarizing Tactics". Installation view: Paillard Centre d'art contemporain,
Poncé-sur-le-Loir, 2013

Heavy Airmail Letters (A Clear Scraped Mirror), 2012
7 letters sent from different locations

Heavy Airmail Letters (A Clear Scraped Mirror), 2012 (detail)
7 letters sent from different locations

Pulleys (Newspapers, Jan.—May 2016), 2016
photo work
Installation view: Counter Space, Zurich 2016

Good-bye Darkness, II, 2005
sculptural situation
"Ticker 9". Installation view: Galerie Carlier|Gebauer, Berlin 2005

Plate (Kids), 2001
photo work

Vittorio Santoro "Une porte doit être ouverte ou non fermée", Installation
sculptural situation
Installation view: Centre Pompidou, Paris, (as part of Prix Marcel Duchamp 2017)

Today I Haven't Done Anything to Avoid the Inevitable (How Someone), 2017
a group of 10 flags
Vittorio Santoro "Une porte doit être ouverte ou non fermée"
Installation view: Centre Pompidou, Paris (as part of Prix Marcel Duchamp 2017)

Today I Haven't Done Anything to Avoid the Inevitable (A Time When....), 2017
a group of 10 flags
Vittorio Santoro "Une porte doit être ouverte ou non fermée":
Installation view at 16, Av. Sainte Foy, Neuilly-sur-Seine (as part of Prix Marcel Duchamp 2017)

Today I Haven't Done Anything to Avoid the Inevitable (There is Something), 2017
a group of 10 flags
Vittorio Santoro "Une porte doit être ouverte ou non fermée":
Installation view at 96, Blvd. Richard Lenoir, Paris
(as part of Prix Marcel Duchamp 2017)

Today I Haven't Done Anything to Avoid the Inevitable (Language), 2017
a group of 10 flags
Vittorio Santoro "Une porte doit être ouverte ou non fermée":
Installation view at 31, rue Chapon, Paris (as part of Prix Marcel Duchamp 2017)

Today I Haven't Done Anything to Avoid the Inevitable (Tomorrow There IS), 2017
a group of 10 flags
Vittorio Santoro "Une porte doit être ouverte ou non fermée":
Installation view at 15, rue Eugène Carrière, Paris
(as part of Prix Marcel Duchamp 2017)

How Can I/Make It Right, March–August 2005, 2005
time-based text work
Vittorio Santoro "Everthing's Not Lost" Installation view: Kunstmuseum Thun, 2006

How Can I/Make It Right, March–August 2005, 2005
time-based text work

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